Edit Script
Name : Rafli
Apriyana Putera
Editor : Indra
Setya Permana
Class : 1B –
Photography
- Short article about Photography
What
is Street Photography?
This article is going to explore the broad genre of Street
Photography, show you the different sides of it, and then talk about how to do
it. I’m also going to show you a variety of images to show this broadness.
It’s a sensibility
Street photography at its essence means candid photography
of humanity. A street photograph is a real moment. The genre is both about the
photographer and their subject. Street Photographers filter the world to share
what interests them and what they are feeling.
Find Interesting
Things
This may sound simple, but it is the most important aspect
to talk about. What is interesting and how can you find it? Slow down and focus
your camera on your surroundings.
How to do street
photography
Street photography may seem simple, but there is actually a
lot to it and the initial learning curve can take some time.
The first step is to push through the fear, to improve your
hand-eye coordination, and to get the general tips down both technically and in
how you carry yourself. The next step is to figure out what makes an
interesting photograph and to develop your voice.
But the most important aspect through all of this is to have
fun and to try to practice frequently, even if it is in short spurts or with a
camera phone – this is what will take you to the next level.
Use your eyes
So many photographers that I have taught seem glued to their
camera the entire time, and that can stop you from noticing your surroundings.
When done well, it almost feels like the camera isn’t even there. To find a
great moment, you actually have to see it with your eyes before you go to take
a shot.
Emotion and gesture
As photographers, we are looking for ideas and emotions in
our images, and a primary way to do that is to capture those emotions in
people’s faces, the looks in their eyes, or the gestures in their bodies. When
you are able to connect with a person and get a glimpse into what they might be
feeling, that will lay a powerful foundation for your photograph.
Light and composition
Besides the potential benefit of imperfections, how we deal
with light and composition in street photography is very similar to most other
forms of photography
Street photographs
without people
Street photography is about life, but it doesn’t have to
have people in the frame. However, there is a difference between a traditional
urban landscape photograph and a street photograph, and just like describing
what salt tastes like, it’s tough to describe the differences.
- Build 5W1H Question.
No |
WH |
Sentence Building (Question and
Answer) |
1 |
Who |
who is a stret
photographer? |
Answer |
a person who does street photography that captures images about
the streets |
|
2 |
Who |
Who are the people who are famous for their street
photography? |
Answer |
Garry Winogrand, Robert Frank, Martin Parr, and many others |
|
3 |
What |
What is Street Photography? |
Answer |
Street photography at its essence means candid photography
of humanity. A street photograph is a real moment. |
|
4 |
What |
What is an effektive way to understand street photography? |
Answer |
by looking at the works of great street photographers,
seeing how they differ from each other, and trying to understand what they
want to portray. |
|
5 |
Where |
where street photography can be done? |
Answer |
Street photography can be done anywhere and people do not
have to be present in the photo. |
|
6 |
Where |
Where does street photography
happen more often? |
Answer |
street photography is more common in cities |
|
7 |
Why |
Why should you use a zoom lens when doing street
photography? |
Answer |
so that capturing images can be faster, especially distant
subjects |
|
8 |
Why |
Why spend time taking pictures? |
Answer |
because the more you shoot, the more your photography
skills improve. |
|
9 |
When |
When is the right time to use manual mode for street
photography? |
Answer |
there is no rule of thumb for what mode to use when doing
street photography |
|
10 |
When |
when to use a low iso when street photography? |
Answer |
Low iso is more often used when we shoot under the sun. |
|
11 |
How |
how can you find Interesting Things? |
Answer |
Do this where you spend your time, Just try not to take
your surroundings for granted |
|
12 |
How |
How to do street photography? |
Answer |
The first step is to push through the fear, to improve your
hand-eye coordination, and to get the general tips down both technically and
in how you carry yourself. |
- Verbal and Nominal Sentences
No. |
Verbal Sentences |
1 |
Street photography at its essence means
candid photography of humanity. |
2 |
Street Photographers filter the world to
share what interests them and what they are feeling. |
3 |
Street photography can be done anywhere
and people do not have to be present in the photo. |
4 |
Interesting photos can also be found in
the mundane, in the everyday, in the quiet, in the details of life. |
5 |
Street photography may seem simple, but
there is actually a lot to it and the initial learning curve can take some time. |
6 |
They have a way of looking like they are
tourists or that they have no idea how to use their camera. |
7 |
This way they will be entering your
personal space instead of you entering their space, and they will not notice
you as much |
8 |
This can be a great transition once you
realize how receptive people are to having their portrait taken. |
9 |
Some of the best street photographers
are also the best actors when photographing. |
10 |
Photograph in both busy and quiet areas
as you learn, and capture the areas around where you live or work. |
No. |
Nominal Sentences |
1 |
Street photographers are observers. |
2 |
Street photography is project. |
3 |
They have no idea how to use their camera. |
4 |
I was just test. |
5 |
You are taking photos. |
6 |
We are looking. |
7 |
I have been work. |
8 |
You are photograph in an area. |
9 |
you are focus at 10 feet, most of your scene will be sharp. |
10 |
you are trying to capture a candid photograph. |
- Tenses and It’s
Pattern
No. |
Sentence |
Tenses |
1 |
You (S) can (V) aim your camera above or to the side of a person
like you are photographing the background and then at the last second point
the camera at them, take the photo,
and move on (CO) |
Simple Future Tense |
2 |
You (S) can (V) get a great photograph anywhere (CO) |
Simple Future Tense |
3 |
We (S) are (ToBe) looking (V-ing) for ideas and emotions in our
images, and a primary way (CO) |
Present Continuous Tense |
4 |
You (S) has (ToBe) to surroundings (V-ing) as possible to be
aware on focus (CO) |
Present Perfect Continuous Tense |
5 |
You (S) do (Do) not (not) need to go to a different place each
time (CO) |
Simple Present Tense |
6 |
SLRs (O) are (Tobe) fast (V) but they can be very large (CO) |
Passive Tense |
7 |
Sony (S) is (ToBe) all make good smaller form cameras (O) |
Active Tense |
8 |
I (S) like (V) to have (ToBe) my backgrounds relatively sharp
(CO) |
Present Perfect Tense |
9 |
I (S) will (V) often shoot in Shutter Priority mode (CO) |
Future Perfect Tense |
10 |
I (S) was (ToBe) wanted (V3) the
photographs to show that (CO) |
Past Perfect Tense |
- Active and Passive
Construction
No. |
Active |
Passive |
1 |
your eye as the person moves out of your scene and keep the
camera to capture the photo |
capture the photo and keep the camera to your eye as the person
moves out of your scene. |
2 |
you can aim your camera above or to the side of a person like
you are photographing the background and then at the last second point the
camera at them, take the photo, and
move on. |
the background and then at the last second point the camera at
them, take the photo, and move on to the side of a person you like or aim
your camera above. |
3 |
you actually have to see it with your eyes before you go to take
a shot, so embrace this. |
so embrace this, before you go to take a shot you have to see it
with your eyes |
4 |
You has to surroundings as possible to be aware on focus your
energy on looking around |
Focus your energy on looking around and try to be as aware of
your surroundings as possible. |
5 |
Photographers take this tip too much to heart, and every
photograph is a close-up face or detail without any context or background at
all. |
every photograph is a close-up face or detail without any
context or background at all and Photographers take this tip too much to
heart. |
6 |
So many photographs will appear and disappear before you even
put the camera to your eye. |
before you even put the camera to your eye, So many photographs will appear and
disappear. |
7 |
We are looking for ideas and emotions in our images, and a
primary way to do that is to capture those emotions in people’s faces, the
looks in their eyes, or the gestures in their bodies. |
to capture those emotions in people’s faces, the looks in their
eyes, or the gestures in their bodies, we are looking for ideas and emotions
in our images, and a primary way. |
8 |
You do not need to go to a different place each time to get a
great photograph. |
To get a great photograph, You do not need to go to a different
place each time |
9 |
You can get a great photograph anywhere. |
To photograph you can get from anywhere. |
10 |
you will gain more significant advantage with some cameras |
some cameras will give you a significant advantage. |
- List of Vocabulary
No. |
Vocabulary |
Pronoun Spelling |
Meaning |
1 |
Camera |
Kamera |
Kamera |
2 |
Lenses |
Lens |
Lensa |
3 |
Zoom |
Zum |
Perbesar |
4 |
Photograph |
Fotograf |
Foto |
5 |
Focus |
Fokus |
Fokus |
6 |
Capture |
Kepcur |
Mengambil |
7 |
Comfortable |
Kemfertbel |
Nyaman |
8 |
Street |
Strit |
Jalanan |
9 |
Light |
Lait |
Cahaya |
10 |
Angle |
Enggel |
Sudut |
- Translation into
Indonesia
Apa itu Fotografi Jalanan?
Artikel ini
akan menjelajahi genre Fotografi Jalanan yang luas, menunjukkan kepada Anda
berbagai sisi yang berbeda, dan kemudian berbicara tentang cara melakukannya.
Saya juga akan menunjukkan kepada Anda berbagai gambar untuk menunjukkan
keluasannya.
Ini adalah sebuah kepekaan
Fotografi
jalanan pada intinya adalah fotografi kemanusiaan yang candid. Sebuah foto
jalanan adalah momen yang nyata. Genre ini adalah tentang fotografer dan subjek
mereka. Fotografer Jalanan menyaring dunia untuk berbagi apa yang menarik bagi
mereka dan apa yang mereka rasakan.
Temukan Hal yang Menarik!
Hal ini
mungkin terdengar sederhana, tetapi ini adalah aspek yang paling penting untuk
dibicarakan. Apa yang menarik dan bagaimana Anda bisa menemukannya? Perlambat
dan fokuskan kamera Anda pada sekeliling Anda.
Bagaimana melakukan fotografi
jalanan?
Fotografi
jalanan mungkin terlihat sederhana, tetapi sebenarnya ada banyak hal yang harus
dilakukan dan kurva pembelajaran awal bisa memakan waktu.
Langkah
pertama adalah mendorong rasa takut, untuk meningkatkan koordinasi tangan dan
mata Anda, dan untuk mendapatkan tips umum baik secara teknis maupun cara Anda
membawa diri. Langkah berikutnya adalah mencari tahu apa yang membuat foto yang
menarik dan mengembangkan suara Anda.
Tetapi
aspek yang paling penting dari semua ini adalah bersenang-senang dan mencoba
untuk sering berlatih, meskipun hanya dalam waktu singkat atau dengan kamera
ponsel - inilah yang akan membawa Anda ke tingkat berikutnya.
Gunakan mata Anda
Begitu
banyak fotografer yang telah saya ajarkan, tampak terpaku pada kamera mereka
sepanjang waktu, dan hal ini bisa membuat Anda tidak menyadari keadaan di
sekeliling Anda. Apabila dilakukan dengan baik, hampir terasa seperti kamera
tidak ada di sana. Untuk menemukan momen yang bagus, Anda harus benar-benar
melihatnya dengan mata Anda sebelum membidik.
Emosi dan gerak tubuh
Sebagai
fotografer, kita mencari ide dan emosi dalam foto-foto kita, dan cara utama
untuk melakukannya adalah dengan menangkap emosi tersebut pada wajah orang,
sorot mata, atau gerak tubuh mereka. Ketika Anda dapat terhubung dengan
seseorang dan mendapatkan sekilas gambaran tentang apa yang mungkin mereka
rasakan, hal itu akan menjadi dasar yang kuat untuk foto Anda.
Cahaya dan komposisi
Selain
manfaat potensial dari ketidaksempurnaan, cara kita berurusan dengan cahaya dan
komposisi dalam fotografi jalanan sangat mirip dengan sebagian besar bentuk
fotografi lainnya
Foto jalanan tanpa orang
Fotografi
jalanan adalah tentang kehidupan, tetapi tidak harus ada orang di dalam
bingkai. Namun, ada perbedaan antara foto lanskap perkotaan tradisional dan
foto jalanan, dan seperti halnya mendeskripsikan rasa garam, sulit untuk
menggambarkan perbedaannya.
- Reason Why Writer
Uses Tenses
The author uses these tenses to make it easier for the readers of
the articel
Komentar
Posting Komentar